BREAKING BAD: ORIGINAL
SIN, ORIGINALLY DONE
In his definition of sin, Frederick Buechner gets
quickly and gracefully to the heart of the matter: “The power of sin is centrifugal. When at
work in a human life, it tends to push everything out toward the
periphery. Bits and pieces go flying off
until only the core is left. Eventually bits and pieces of the core itself go
flying off until in the end nothing at all is left.” (Beyond Words, Harper Collins, 2004, p. 368-369)
“What’s so original about sin?” my old friend Dee
Edwards used to ask. Nothing really. Sin is old stuff. It has been around a
long time. Sin and its centrifugal power to scatter and decimate lives,
communities, churches, families and nations is the oldest story there is. Its telling and
retelling is the heart of much of our art and literature, though many would
prefer to call it something else. Hubris, perhaps. Or amoral greed. Maybe
unbridled ambition or the lust for power run amok. Fine.
I guess there is something a little distasteful in
talking about sin, or, more precisely put, original sin. The power and relevance
of the term gets lost in tides of shaming Sunday school lessons, stiff-collared
pulpit rants, glad-handing character assassinations of our evangelical neighbors
next door, and the tortuous brow beating of the life-killing Calvinist peckerwoods
in white socks.
A much cooler and hipper version of the tale is found in
AMC’s Breaking Bad whose fifth season finale launches here in a couple of
weeks. Millions of us have watched the centrifugal meltdown of Walter White
over the past four years, and it’s been hard for us to take our eyes off it. To
say that it is compelling doesn't even capture the half of it. Perhaps mesmerizing is a better term to describe
it.
The emergence of Heisenberg out of the ashes of Walter
White provokes an interesting issue: Has this character lost himself or found
himself? Has he become the real Walter White by shedding his vestiges, or has
someone altogether different walked out of the fire? Has he evolved or devolved? Aberration or self-realization? Is the Emergent Walter White an unnatural monster or some sort or the recovery of his true nature?
The theologians of the Reformation coined the term ‘original’
in their consideration of presence and power of sin in the human condition, not
to trap it in and endless and stupid debate about spiritual DNA, but to say
simply, this crap goes deep. Whether
it is present at the time of our conception and birth is not so much the issue.
No matter how great our nurture, how loving our home, our instructive our
religious training, how disciplined our moral instructions, how nice our
disposition, how positive our role-modeling, we will more than likely, given
half a chance, ‘centrifigate.’ Our
spinout will probably not be on scale with Walter’s, but it may leave us
asking, “Is this who I really am, or do I need to return to who I really am?”
Discuss.
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